Photographing Your Quilt
for Entering in the Show
With the abilities of today’s digital cameras, you do not have to go to the expense of having your quilt entries professionally photographed. You can do it yourself—plenty of quilters do—and you can find out how below. Remember, your quilt’s image is all that the jurors see in evaluating your quilt, so the quality of the image is extremely important.
1. SUBMITTING IMAGES OF YOUR QUILT
Digital images may be submitted:
(b) via e-mail
2. REQUIRED IMAGES
Send one full view of the completed quilt and one detail view. Quilting must be visible in the detail.
Identify each photo with your name, the quilt title, width, length, and whether it is the full view
or the detail view.
3. TAKING IMAGES OF YOUR QUILT
We recommend using your camera or phone on the highest resolution setting, and saving as a JPEG file. Consult your camera or phone’s instruction manual to learn how to set your camera to take high-resolution photos.
Lower megapixels and resolution settings can produce poor results that will eliminate a quilt because its color, design, and detail cannot be viewed clearly. It is not uncommon to see a wonderful quilt eliminated as a finalist, because the quality of the image submitted is so poor that it is impossible to properly evaluate, especially the details.
4. WORKING WITH YOUR QUILT IMAGE
If you open your photos in image editing software to crop the background, you will be asked how to save the photo when you are done. Save as a JPEG, RGB color (the default setting in most image editing programs), standard or baseline setting, and set the quality to maximum. No CMYK images or progressive setting JPEGs will be accepted.
5. SUGGESTIONS FOR GOOD PHOTOGRAPHY
Make sure the entire quilt is visible in the full shot.
There should be no objects, people (including fingers holding a quilt), pets, or scenery in the picture. Do not try to take a “pretty” picture with gardens, trees, mountains, etc. in the background. The background will distract from your quilt and be a liability, not an asset.
Do not drape your quilt over furniture or lay it flat on a bed or on the floor.
Take photographs on a light neutral wall or background.
Learn how to crop your picture (in image editing software) so that a minimum of the background shows. Practice first on other quilt images to learn what to do. Remember, there is almost always a way to undo a modification such as cropping, if you don’t like the results.
To take the photo, position yourself directly in front of the quilt so that you have a straight-on angle.
Lighting should be as even as possible across the front of the quilt. Sometimes your best lighting is outdoors, but be careful about the time of day. Direct sunlight on the quilt can cause shadows or a glare that obscures details in the photo and can bleach out the color of your quilt.
Make sure your camera is focused. If your hand is shaky, use a tripod or a solid surface for the camera.
Quilting stitches and design must be visible in the detail shot.
6. ADDITIONAL RESOURCES
We can heartily recommend the following book and website for user-friendly information about taking digital images of quilts. These resources have been developed by quilters for quilters to help them take better photos of their work. Both quilters have won awards with their quilts, have written articles or published books, and have had their work published in several books. Much of the information contained in our visuals webpage on the www.quilts.com site has been developed in cooperation with these two talented and generous women.
DIGITAL ESSENTIALS by Gloria Hansen
“SHOOT THAT QUILT! DIGITAL PHOTOGRAPHY FOR TEXTILE ARTISTS” by Holly Knott