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    • 2012
    • International Quilt Festival/Cincinnati
      April 13-15, 2012
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      October 27-29, 2012
      Classes begin October 26
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      George R. Brown Convention Center
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      Houston

      November 1-4, 2012
      Preview Night October 31
      Classes begin October 29
      Houston, Texas
      George R. Brown Convention Center
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      Catalogue will be available mid/late July 2012

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Column #65

Arizona Centennial Quilt Project

The Arizona Centennial Quil
Front of quilt

The Arizona Centennial Quil
Back of quilt

In January of 2009, Arizona quilter Wanda Seale of Phoenix woke up from a dream in which she had envisioned a quilt that would tell the story of Arizona’s first 100 years of statehood pictorally. The Arizona centennial would not occur for another three years, but Wanda knew that in order to make her dream come true, she had to get busy.
And get busy she certainly did! She began talking with other quilters and meeting with quilt historians and artists, sharing her ideas of a quilt that would involve quilters from all over the state in its construction and that would illustrate Arizona’s landmarks and Native American heritage, as well as its unique flora and fauna.
The Arizona Centennial Quilt Project (ACQP) was formed, with Wanda serving as co-chair along with her friend, Carol Cohen. A team of ten people made up the core group, with help from many others along the way.
Knowing that they would need to raise funds to make the quilt, the Project affiliated with the nonprofit Arizona Quilter’s Hall of Fame. Corporate and private donations came in not only from Arizona but from the rest of the country as well. The Arizona History Museum in Tucson agreed to be the repository for the finished quilt so that it would always have a home and be properly cared for.
Early on in the process, the group applied to the Arizona Historical Advisory Commission for designation as an Arizona Legacy Project, which gave it official state sanction as a project “generated by community members that strives to leave a lasting legacy in honor of the Centennial.”
As word of the project spread, dozens of artists and quilters got involved, brainstorming, researching, and sharing ideas. The state flag, emblems, motto, and official icons; landmarks; the topographical image; four climate zones; native birds, animals, and plants; cities, towns, and historic sites; written information honoring volunteers, governors, and important historians—in short, all the visual representations that describe Arizona—were to be included. The group came up with so many wonderful images that it became clear not all of the information would fit on a single quilt. The end result was actually two quilts that were joined together to make a two-sided piece.

Truly a collaborative effort, the quilt combined the work of many talented Arizona artists (too many to mention by name in this short space) and showcased a variety of techniques, including hand-dyed fabrics, hand- and machine-appliqué, thread painting, hand- and machine-embroidery, fiber painting, confetti appliqué, fraying, a Japanese weaving technique called Kumihimo, and dry-brush painting.

By the time the quilt was finished in May of 2011, literally thousands of hours had been contributed by around 100 people.

One of the most challenging aspects of the project was figuring out how to attach the two masterful art pieces together to form a single unit. Wanda recalled the process.

“Each side was quilted separately with a muslin back. Gina Perkes quilted the front and Susan Vassallo did the back,” she says. “How to put them together? We made a welting, gathered our faithful helpers, and set out to put these two pieces together. First we sewed the welting to the front, next we trimmed and graded the seams and used some glue to keep the seams flat. We had three tables and put the front quilt face down, then laid the back quilt onto the top. Our challenge was to keep the layers together without any gapping or shifting. We started at the top, hand-stitching the back to the front just at the edge of the welting. Every 12 inches down and across, we made stitches to attach the front to the back, using a one-inch thread chain. This method was achieved after several unsuccessful attempts to sew them together.”
Although the Centennial Quilt was the cornerstone of the ACQP, the wide-reaching project also included other aspects. A quilt exhibit, “100 Years, 100 Quilts,” was planned for a yearlong residency at the Arizona History Museum during 2012. Arizona quilters were encouraged to participate in a Centennial Fabric Challenge using the Arizona Centennial Fabric Line. (On a visit to Seattle, Wanda had contacted Jason Yenter of In The Beginning Fabrics, who designed the 11-piece “Southwest Beauties” line, featuring the centerpiece Arizona Centennial fabric and several companion prints.)
The ACQP additionally sponsored the Arizona Quilt Study Group in providing a two-day quilt education event for the public at the Arizona History Museum.
The Arizona Centennial Commemorative Quilt was accepted by the Arizona Historical Society as the official Arizona Centennial Quilt, and in March of 2012 it was displayed in the Senate Rotunda in Washington, D.C.
With singular dedication and the enthusiastic help of many others, Wanda Seale’s dream most definitely did come true. When asked, however, what was her favorite thing about the quilt, she responded with a reply that any quilter relieved at completing a project can relate to: “It’s finished!”

 

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Archived blogs:

Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery
Column 92: The Ballerina Quilter
Column 91: Grandmother's Flower Garden Comes Alive at Texas Quilt Museum
Column 90: Leitmotif for a Lifelong Love Affair
Column 89: Quilting in The Bahamas
Column 88: Joan of Arc: A Quilter's Inspiration
Column 87: Home Demonstration Clubs and Quilting
Column 86: Linzi Upton and the Quilted Yurt
Column 85: A Bounty of Quilts
Column 84: Desert Trader
Column 83: Quilts and the Women’s Liberation Movement
Column 82: Replicating the Past: Reproduction Fabrics for Today’s Quilts
Column 81: Why So Many Quilt Shops in Bozeman, Montana?
Column 80: Southeastern Quilt and Textile Museum
Column 79: 54 Tons of Quilt
Column 78: Ollie Steele Burden’s Quilt Blocks
Column 77: Quilting with AMD
Column 76: Maverick Quilts and Cowgirls
Column 75: The Modern Quilt Guild—Cyberculture Quilting Ramps Up
Column 74: The Membership Quilt—Czech Quilting in Texas
Column 73: Maximum Security Quilts
Column 72: Author: Terri Thayer
Column 71: The Christmas Quilt
Column 70: New Mexico Centennial Quilt
Column 69: Scrub Quilts
Column 68: “Think Pink” Quilt Raises Funds for Rare Cancer Research
Column 67: Righting Old Wrongs.
Column 66: 100 Years, 100 Quilts - More on the Arizona Centennial.
Column 65: Arizona Centennial Quilt Project
Column 64: Capt. John Files Tom’s Family Tree
Column 63: The Fat Quarters
Column 62: Quilt Fiction Author: Clare O’Donohue
Column 61: Louisiana Bicentennial Quilt
Column 60: The Camo Quilt Project.
Column 59: Thread Wit
Column 58: Ralli Quilts
Column 57: Preschool Quilters
Column 56: The Story Quilt
Column 55: Red and Green Quilts
Column 54: On the Trail
Column 53: Quilt Trail Gathering
Column 52: True Confessions: First Quilt
Column 51: Quilted Pages
Column 50: Doll Quilts
Column 49: More Than a Quilt Shop
Column 48: Las Colchas of the Texas-Mexico Border
Column 47: Literary Gifts
Column 46: A Different Way of Seeing
Column 45: Sampling
Column 44: Hen and Chicks
Column 43: A Star Studied Event
Column 42: Shoo Fly Pattern
Column 41: Awareness Quilts
Column 40: Tivaevae
Column 39: UnOILed UnspOILed Coast Quilt Project
Column 38: Katrina Recovery Quilts
Column 37: Quilted Vermont
Column 36: The Labyrinth Quilt—A Meditative Endeavor

See other archived columns here