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    • 2012
    • International Quilt Festival/Cincinnati
      April 13-15, 2012
      Preview Night & Classes
      begin April 12
      Cincinnati, Ohio
      Duke Energy Convention Center
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    • International Quilt Market/Spring
      May 18-20, 2012
      Classes begin May 17
      Kansas City, Missouri
      Kansas City Convention Center
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      July 27-29, 2012
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      Long Beach, California
      Long Beach Convention & Entertainment Center
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      Catalogue will be available late March 2012
    • International Quilt Market/

      October 27-29, 2012
      Classes begin October 26
      Houston, Texas
      George R. Brown Convention Center
      *Trade show only - Not open to the general public

    • International Quilt Festival/

      November 1-4, 2012
      Preview Night October 31
      Classes begin October 29
      Houston, Texas
      George R. Brown Convention Center
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      Catalogue will be available mid/late July 2012

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Column #56

The Story Quilt

The Story Quilt
Russ and Barb Childers

Ohio native Barb Childers grew up in a quilting family that also loved to tell stories, play folk games, and dance. With that rich traditional mix coursing through her DNA, it is hardly surprising that she developed into a creative dynamo.

What is remarkable, however, is the way that she has melded all those activities into a unique vehicle for sharing her heritage with others: The Story Quilt.

Barb and her musician husband Russ (a three-time Kentucky State Clawhammer Banjo Champion) perform as the musical duo Bear Foot (“She is the Foot and he is the Bear”). With Russ playing not only banjo, but also fiddle, guitar, dulcimer, and homemade “kitchen sink” instruments as well as singing, and Barb playing, singing, telling stories, making string figures, and clog dancing, they take their humorous, educational, and high-energy show on the road to schools, day care centers, nursing homes, festivals, family reunions, community gatherings, and libraries.

In fact it was Barb’s “day job” as a children’s librarian with the Cincinnati Public Library that first gave her the idea for The Story Quilt.

“One-third of the population in Cincinnati trace their roots to Appalachia, and the city celebrates May as Appalachian Heritage Month each year,” Barb explains. “One of my fellow librarians, Charlotte Decker, was a quilter and she had a big collection of quilt blocks in different patterns that she had never put together in a quilt. For quite awhile, we had been patterning our children’s story time after the idea of African ‘story vines’—some African tribes had storytellers who traveled to different villages and who carried a string or a vine with objects attached to it. The audience could select an object from the vine and the storyteller would tell a story associated with that object.” (Barb was inspired by Anne Pellowski’s book The Story Vine, which explained that the Lega people practice this traditional style of storytelling.)

“I was always promoting interactive activities, because if the children get involved in what is happening, they tend to take some ownership and pay more attention. I thought that Charlotte’s quilt blocks could be used during Appalachian Heritage Month like a story vine to encourage the kids to participate,” Barb continues. “The response was just tremendous and when I retired after 38 years, Russ and I decided that The Story Quilt was something we could continue doing on our own for kids of all ages. The reaction we get from seniors is, of course, different from that of schoolchildren—but it is always surprising, always delightful, and always so much fun.”

The way The Story Quilt works is that Barb and Russ come out on stage with more than 20quilt blocks in a variety of patterns attached to a clothesline. The audience is invited to pick a block and Barb and Russ then spring into action, basing their performance on the audience’s choice. Once picked from the clothesline, the block is Velcroed to a sheet, until twelve blocks have been chosen and a full-sized “quilt” is created from the choices.

The block patterns may change depending upon the audience, the season, or the location, but some examples might include “See Saw,” which elicits from Barb a string trick that her Appalachian mother-in-law taught her; “Shoo Fly,” which invites the audience to sing and dance along with the song of the same name; “Nine Patch,” which produces a lesson on the 9s multiplication table; or “Corn and Beans,” which might prompt anything from a riddle about an animal that loves to get in the corn patch, to a story about the Native American practice of planting “The Three Sisters”—corn, beans, and squash together so that they can support one another as they grow, or a song about moonshine (an alternate way to store corn!).

The blocks are all made by Barb herself, or by family members, including her sister and niece, and some of the older blocks were made by Barb’s mother, Charlotte Hirst, who taught Barb to quilt and who has now passed away. “We hear the most wonderful stories from our audiences regardless of whether we do this program for kids, families, or for senior citizens,” said Barb. “What a journey! My mother would be so pleased at the direction we have taken her quilting.”


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Archived blogs:

Column 149: Rosie’s Redwork
Column 148: The Quilt of Belonging
Column 147: Kanthas—The Quilts of Bangladesh
Column 146: Patterns
Column 145: Suzy on Carolyn Mazloomi's Groundbreaking Quilt Exhibit
Column 144: Texas Community Marks Juneteenth Sesquicentennial with History Quilts
Column 143: Maya Embroidered Patchwork
Column 142: Huipil Patchwork Quilts
Column 141: Tom Korn’s Military Medal Quilts
Column 140: The Return of Double Knits!
Column 139: Passage Quilts
Column 138: Home of the Brave Quilts
Column 137: The Story of Fabric Yo-Yos
Column 136: Christmas in July
Column 135: Trifles
Column 134: Deaf Initiatives—Communicating Through Quilts
Column 133: My Betty Boop Quilt
Column 132: Maura Grace Ambrose
Column 131: All You Need Is Love
Column 130: Chicken Linens
Column 129: The Quilted Chuppah
Column 128: Patchwork Around the World: Yoruba Dance Costumes
Column 127: The Bowers Co-Op Quilts
Column 126: Fon Appliqué and Haitian Voodoo Flags
Column 125: The Quilt Garden at The North Carolina Arboretum
Column 124: Harriet Powers and Handful’s Mauma
Column 123: Quilters de Mexico
Column 122: An Appliquéd Surprise
Column 121: Matisse’s Fabric Stash
Column 120: Soogan—The Cowboy’s Quilt
Column 119: The Ron Swanson Quilt
Column 118: HClarkdale, Georgia—A Thread of History
Column 117: How WWI Changed the Color of Quilts in the United States
Column 116: Wagga—The Bushman’s Quilt
Column 115: All in the Family
Column 114: The Alabama State Quilt
Column 113: Balloon Quilts of Albuquerque
Column 112: The Family That Quilts Together, Stays Together
Column 111: Two Rivers, Three Sisters
Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery

See other archived columns here