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Column #146


In the Biblical book of Ecclesiastes, the writer describes the repetitiousness of life, summing up by stating, “The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun.”

Quilters, like all artists, prize originality. But when it comes to geometric patterns that inspire quilt designs, ‘no new thing under the sun’ is the way to go, because it’s impossible to top the designs of nature that form the basis of geometrics. These patterns have been around since life on earth began.

What’s fun is to see these ancient designs through the lens of a quilt lover. Once you start looking, it’s hard not to see quilt patterns everywhere. That happened to me on a recent trip to Europe. Take a look at some of the things I saw, and see if you don’t agree!

The Pergamon Museum in Berlin, Germany contains a cone mosaic from the ancient Mesopotamian capital of Uruk, located on the Euphrates River south of Baghdad. It is believed to date from the second half of the fourth millennium B.C.

Cone mosaics were created by pressing the pointed ends of small clay cones tightly together into a wall coated with a thick layer of wet plaster. The flat ends of the cones were then painted red, black, and white to form decorative patterns.

Not simply decorative, the cones minimized weathering on the walls and pillars of the palace architecture they covered. Do you see the Streak o’ Lightning, Diamond Field, and Thousand Pyramids?

The spectacularly beautiful, thousand-year-old city of Prague, the capital of the Czech Republic, is a visual delight on many levels, from the tips of its many towers right down to its sidewalks. Noted for its many architectural wonders—its nickname is “the golden city of a thousand spires”—Prague demands that you crane your neck upward in order to appreciate the thrilling array of decorative steeples, turrets, and belfries that seem to dominate the cityscape.

One place dominated by soaring spires and beautiful rooftops is the Gothic Cathedral of Saint Vitus, which was established in the year 960. Situated within the Prague Castle, it is the burial place of Czech kings. Check out this rooftop within the cathedral complex. Isn’t that a lovely quilt pattern adorning it?

And then there are those sidewalks. In any city, tree roots and fluctuations in temperature pose a constant challenge when it comes to keeping walkways in good repair. But for hundreds of years, the city planners of Prague have coped with the problem by making “mosaic” sidewalks out of individual cubes of stone.

Ground movement does sometimes cause the cubes to shift and pop out, but the damage is more localized and easier to repair. The effect is lovely and definitely gives effect of walking on quilt patterns. Orange Peel, Brick Wall, a number of Nine Patch variations and other familiar designs are all represented right beneath your feet.

Next time you venture out on a trip, see how many quilt patterns you can spy as you go along. Once you get started, it’s impossible to stop, and it adds an interesting dimension to your travel experience!









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Archived blogs:

Column 145: Suzy on Carolyn Mazloomi's Groundbreaking Quilt Exhibit
Column 144: Texas Community Marks Juneteenth Sesquicentennial with History Quilts
Column 143: Maya Embroidered Patchwork
Column 142: Huipil Patchwork Quilts
Column 141: Tom Korn’s Military Medal Quilts
Column 140: The Return of Double Knits!
Column 139: Passage Quilts
Column 138: Home of the Brave Quilts
Column 137: The Story of Fabric Yo-Yos
Column 136: Christmas in July
Column 135: Trifles
Column 134: Deaf Initiatives—Communicating Through Quilts
Column 133: My Betty Boop Quilt
Column 132: Maura Grace Ambrose
Column 131: All You Need Is Love
Column 130: Chicken Linens
Column 129: The Quilted Chuppah
Column 128: Patchwork Around the World: Yoruba Dance Costumes
Column 127: The Bowers Co-Op Quilts
Column 126: Fon Appliqué and Haitian Voodoo Flags
Column 125: The Quilt Garden at The North Carolina Arboretum
Column 124: Harriet Powers and Handful’s Mauma
Column 123: Quilters de Mexico
Column 122: An Appliquéd Surprise
Column 121: Matisse’s Fabric Stash
Column 120: Soogan—The Cowboy’s Quilt
Column 119: The Ron Swanson Quilt
Column 118: HClarkdale, Georgia—A Thread of History
Column 117: How WWI Changed the Color of Quilts in the United States
Column 116: Wagga—The Bushman’s Quilt
Column 115: All in the Family
Column 114: The Alabama State Quilt
Column 113: Balloon Quilts of Albuquerque
Column 112: The Family That Quilts Together, Stays Together
Column 111: Two Rivers, Three Sisters
Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery

See other archived columns here

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