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Column #85

A Bounty of Quilts

Cathryn “Cat” Duggan

A quick scan of shelves lining a wall in Cathryn “Cat” Duggan’s home in the small Central Texas community of McDade reveals what appears to be a lifetime supply of Bounty® paper towels.

The visitor might at first wonder whether Cat has more than the usual number of messes to clean up with the “quicker picker upper™” until Cat explains that she uses Bounty sheets to paper-piece strip quilt blocks—thousands of them.

Over the past few years, Cat has made over 3,000 lap quilts for nursing homes, hospitals, Hospice Services, cancer centers, wounded soldiers, veterans, foster kids, and sick children at the St. Jude’s Children’s Research Hospital. The story of how Cat became one of Proctor & Gamble’s biggest fans begins with barber shears.

Before she retired, Cat ran a barbershop from her home one day a week, and the rest of time she would travel to area nursing homes to cut hair. Cat was saddened and disturbed when she noticed female residents wearing dresses and sitting in their wheelchairs sometimes with towels covering their legs and sometimes not even that to protect their modesty.

Cat had grown up doing all sorts of needlework, and she decided to use her skills to help those women. She started out crocheting lap robes, but then a visit to her hometown of Olive Branch, Mississippi (a suburb of Memphis, Tennessee) to see her sister changed all that.

Cat’s sister is a member of the Olive Branch Faith Quilt Club, and Cat attended a meeting with her (and later joined the group herself). It was there that Cat met “Ms. Martha”—another member, who introduced Cat to string piecing using Bounty paper towels.

Cat quickly realized that the durable paper towel could serve not only as a foundation for the strip block, but when left attached to the fabric it could also serve as a thin batting for the quilt. The paper is washable and provides a perfect weight for a lap quilt.

After learning the technique, Cat gave up crocheting lap robes and switched exclusively to piecing lap quilts. Relying on donations of thread, fabric (nurses often give her their colorful old scrubs), and even a donated sewing machine—she purchases the Bounty herself— Cat churns out quilt blocks by the pile.

She then sews them together, three blocks across and two blocks down to make the top of the lap quilt. She cuts a back, pins it to the top, tacks the layers together, and binds the whole by bringing the back around to the top and stitching it down.

Each time she reaches 1,000 quilts, she gives that thousandth one to someone who has been instrumental to her effort. For example, the first thousandth quilt went to Ms. Martha at the Olive Branch Faith Quilt Club.

One might well wonder what motivates Cat to spend much of every waking hour, year after year, on this project, for which she receives no compensation—everything she makes is given away.

“A few years back I was in a bad car wreck and I spent 31 days in intensive care. I feel like I was given a second chance and I want to give back. I have always felt like we don’t give our seniors and our vets the respect they deserve, and I want to do something for them,” said Cat.

“Plus,” she adds with a grin and a twinkle in her eye, “it keeps me out of the beer joints!”

If you would like to donate supplies to Cat, you can mail them to her at 134 Bastrop Street, McDade, TX 78650.


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Archived blogs:

Column 149: Rosie’s Redwork
Column 148: The Quilt of Belonging
Column 147: Kanthas—The Quilts of Bangladesh
Column 146: Patterns
Column 145: Suzy on Carolyn Mazloomi's Groundbreaking Quilt Exhibit
Column 144: Texas Community Marks Juneteenth Sesquicentennial with History Quilts
Column 143: Maya Embroidered Patchwork
Column 142: Huipil Patchwork Quilts
Column 141: Tom Korn’s Military Medal Quilts
Column 140: The Return of Double Knits!
Column 139: Passage Quilts
Column 138: Home of the Brave Quilts
Column 137: The Story of Fabric Yo-Yos
Column 136: Christmas in July
Column 135: Trifles
Column 134: Deaf Initiatives—Communicating Through Quilts
Column 133: My Betty Boop Quilt
Column 132: Maura Grace Ambrose
Column 131: All You Need Is Love
Column 130: Chicken Linens
Column 129: The Quilted Chuppah
Column 128: Patchwork Around the World: Yoruba Dance Costumes
Column 127: The Bowers Co-Op Quilts
Column 126: Fon Appliqué and Haitian Voodoo Flags
Column 125: The Quilt Garden at The North Carolina Arboretum
Column 124: Harriet Powers and Handful’s Mauma
Column 123: Quilters de Mexico
Column 122: An Appliquéd Surprise
Column 121: Matisse’s Fabric Stash
Column 120: Soogan—The Cowboy’s Quilt
Column 119: The Ron Swanson Quilt
Column 118: HClarkdale, Georgia—A Thread of History
Column 117: How WWI Changed the Color of Quilts in the United States
Column 116: Wagga—The Bushman’s Quilt
Column 115: All in the Family
Column 114: The Alabama State Quilt
Column 113: Balloon Quilts of Albuquerque
Column 112: The Family That Quilts Together, Stays Together
Column 111: Two Rivers, Three Sisters
Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery

See other archived columns here

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