Maximum Security Quilts
A soybean-themed quilt at the State Fair.
Flag quilts for families of veterans.
Veteran’s Day 2011 and the unfurling of “The Flag Quilt.”
You might think that the men in the Purposeful Living Units Serve (P.L.U.S.) Program at the Wabash Valley Correctional Facility (WVCF), a maximum security prison in Carlisle, Indiana, wouldn’t care much about quilt patterns, color palettes, sewing techniques, fabrics, thread, or batting. You would be wrong! There are some serious quilters in this group.
The inmates, who are serving time for having committed the worst sorts of violent crimes (some of them are incarcerated for life without parole), are not the type you usually visualize when you think about quilters. Of course, stereotypes are always wrong, but clichéd views of both quilters and prison inmates would be utterly off the mark in the case of the WVCF’s P.L.U.S. Program quilters.
Jacquie Mize, a casework manager at the Nora Housing Unit where the P.L.U.S. Program offenders live, describes P.L.U.S. as a faith-and character-based re-entry program that offers offenders the opportunity to change their lives.
Admission into P.L.U.S. is difficult and highly competitive, and only 100 men out of a total prison population of over 2,000 are accepted into the 16-month program, which includes a core curriculum aimed at life-skills training and preparation for being a better citizen, whether inside or outside of prison.
Participants must take mandatory classes and they are required to complete 320 hours of community service, although most of the men contribute many times that amount. Since it began in 2005, the P.L.U.S. program has had the lowest incidence of conduct violations in the Indiana prison system, and P.L.U.S. graduates also have the lowest recidivism rate.
The program was recently selected by Indiana Lieutenant Governor Becky Skillman to receive her highest civil service honor, the “Partners in Progress Award.” This is the first time that the award has been given to any Indiana Department of Correction facility.
“Community service is one of the main aspects of the P.L.U.S. Program, and the quilting has become a big part of that,” says Mize. “We are known for our quilts.”
Indeed they are. The P.L.U.S. Program quilters and their quilts have been featured on national television, in national magazines, in local and state newspapers and in other publications, and have won prizes at the Indiana State Fair. The attention and accolades are well deserved, because the effort of these quilters is not just impressive for its quantity and creativity; it is downright inspiring.
The men are taught a basic sewing skills class using sewing machines in the housing unit. Correctional officers strictly monitor needles, pins, and any other sharp implements, and only round-tipped kids’ scissors are allowed for cutting fabric. (That latter fact alone should earn the respect of fellow quilters, who notoriously guard and value the sharpness of their rotary cutters and fabric scissors.) Once the sewing class is completed, volunteers from a local church teach quilting skills to the men.
All materials used by the P.L.U.S. quilters are donated and no state funds go toward the men’s quilting efforts. A fabric company offers its seconds to the program, and additional fabric donations and supplies come from churches and community connections. Obtaining enough batting is sometimes a problem, and food sales are held in order to raise money to purchase batts for the quilts.
Since the quilting program began, the men have made “thousands” of quilts (2,136 in 2011 alone), according to Jacquie Mize, and every one of them benefits the community in some way. Quilts made for a wide variety of community fundraisers raised over $10,000 in 2011.
Quilts have been given to nursing homes, homeless shelters, orphanages, and hospitals. Some have been given to government officials, such as Indiana’s Governor, or famous people, such as Miss America, that the men admire and to retiring Indiana Department of Correction employees.
One of the most notable projects has been that of making a memorial quilt for the families of each Indiana soldier who has died in the wars in Iraq and Afghanistan. The comfort that the memorial quilts provides to the grieving families is well evidenced by the thank-you letters that the men receive in return, usually from the mothers of the deceased.
Perhaps the highest-profile effort of the P.L.U.S. program quilters, however, is their Flag Quilt. “We have a very dedicated group of offenders in the program who are veterans,” says Mize. “The Flag Quilt was the brainchild of two of these men, Randy O’Brien and Kevin Henry, both former Marines. They really wanted to do something to honor all of the men and women throughout the country in every branch of service who have given their lives in the Iraq and Afghanistan wars.”
The quilt measures 40 feet in size and is a replica of the United States flag. On it is stitched the name of every serviceperson who has died in these wars. Names are obtained from a constantly updated government website. To date, the flag contains 6,298 names. With gratitude and sadness, the men add the names of all the men and women who have given their lives in the line of duty.
“Some of the men really get addicted to quilting,” remarked Mize. “But all of them get a lot out of it. It really does teach them to be better citizens.”
Kevin Henry says it best: "A quilt is just a bunch of scraps that aren't much use on their own, but together they have beauty and purpose, just like us."
Many quilters are familiar with the power of quilting to heal. The P.L.U.S. program quilters understand its redemptive powers as well.
Jacquie Mize says, “We survive by donations and food sales.” For more information or to make donations to the WVCF P.L.U.S. Program please contact Tammy Ranard, PO Box 500, Carlisle, IN 47838 or firstname.lastname@example.org.
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Column 138: Home of the Brave Quilts
Column 137: The Story of Fabric Yo-Yos
Column 136: Christmas in July
Column 135: Trifles
Column 134: Deaf Initiatives—Communicating Through Quilts
Column 133: My Betty Boop Quilt
Column 132: Maura Grace Ambrose
Column 131: All You Need Is Love
Column 130: Chicken Linens
Column 129: The Quilted Chuppah
Column 128: Patchwork Around the World: Yoruba Dance Costumes
Column 127: The Bowers Co-Op Quilts
Column 126: Fon Appliqué and Haitian Voodoo Flags
Column 125: The Quilt Garden at The North Carolina Arboretum
Column 124: Harriet Powers and Handful’s Mauma
Column 123: Quilters de Mexico
Column 122: An Appliquéd Surprise
Column 121: Matisse’s Fabric Stash
Column 120: Soogan—The Cowboy’s Quilt
Column 119: The Ron Swanson Quilt
Column 118: HClarkdale, Georgia—A Thread of History
Column 117: How WWI Changed the Color of Quilts in the United States
Column 116: Wagga—The Bushman’s Quilt
Column 115: All in the Family
Column 114: The Alabama State Quilt
Column 113: Balloon Quilts of Albuquerque
Column 112: The Family That Quilts Together, Stays Together
Column 111: Two Rivers, Three Sisters
Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery
Column 92: The Ballerina Quilter
Column 91: Grandmother's Flower Garden Comes Alive at Texas Quilt Museum
Column 90: Leitmotif for a Lifelong Love Affair
Column 89: Quilting in The Bahamas
Column 88: Joan of Arc: A Quilter's Inspiration
Column 87: Home Demonstration Clubs and Quilting
Column 86: Linzi Upton and the Quilted Yurt
Column 85: A Bounty of Quilts
Column 84: Desert Trader
Column 83: Quilts and the Women’s Liberation Movement
Column 82: Replicating the Past: Reproduction Fabrics for Today’s Quilts
Column 81: Why So Many Quilt Shops in Bozeman, Montana?
Column 80: Southeastern Quilt and Textile Museum
Column 79: 54 Tons of Quilt
Column 78: Ollie Steele Burden’s Quilt Blocks
Column 77: Quilting with AMD
Column 76: Maverick Quilts and Cowgirls
Column 75: The Modern Quilt Guild—Cyberculture Quilting Ramps Up
Column 74: The Membership Quilt—Czech Quilting in Texas
Column 73: Maximum Security Quilts
Column 72: Author: Terri Thayer
Column 71: The Christmas Quilt
Column 70: New Mexico Centennial Quilt
Column 69: Scrub Quilts
Column 68: “Think Pink” Quilt Raises Funds for Rare Cancer Research
Column 67: Righting Old Wrongs.
Column 66: 100 Years, 100 Quilts - More on the Arizona Centennial.
Column 65: Arizona Centennial Quilt Project
Column 64: Capt. John Files Tom’s Family Tree
Column 63: The Fat Quarters
Column 62: Quilt Fiction Author: Clare O’Donohue
Column 61: Louisiana Bicentennial Quilt
Column 60: The Camo Quilt Project.
Column 59: Thread Wit
Column 58: Ralli Quilts
Column 57: Preschool Quilters
Column 56: The Story Quilt
Column 55: Red and Green Quilts
Column 54: On the Trail
Column 53: Quilt Trail Gathering
Column 52: True Confessions: First Quilt
Column 51: Quilted Pages
Column 50: Doll Quilts
Column 49: More Than a Quilt Shop
Column 48: Las Colchas of the Texas-Mexico Border
Column 47: Literary Gifts
Column 46: A Different Way of Seeing
Column 45: Sampling
Column 44: Hen and Chicks
Column 43: A Star Studied Event
Column 42: Shoo Fly Pattern
Column 41: Awareness Quilts
Column 40: Tivaevae
Column 39: UnOILed UnspOILed Coast Quilt Project
Column 38: Katrina Recovery Quilts
Column 37: Quilted Vermont
Column 36: The Labyrinth Quilt—A Meditative Endeavor
See other archived columns here