The Christmas Quilt
The Christmas Quilt
I was lucky enough to grow up in a family and at a time and place in which quilts were an everyday part of life. I don’t really recall sleeping under store-bought blankets at all during those years. Quilts were how we kept warm—and the women in the family made them. Given those facts, I suppose it’s not unusual that some of the passed-down family lore is related to quilts and their construction. One such story has to do with what I call the Christmas quilt.
The youngest boy among my father’s five siblings had been saddled with a grand-sounding, mouthful of a name: Tolbert Commodore. He went by T.C. (wouldn’t you?), but the family called him Tot. Tot was an apt nickname for him, since it means small child and he remained “a little skinny feller” (as my dad used to say) all his life. What he lacked in size, however, Uncle Tot made up for in heart and gentle nature. Good things come in small packages.
When he was in school during the Depression years, Uncle Tot took a geometry class and was given an assignment to draft something with triangles. Unsure as to what to do, he asked his mother (my grandma), Pairlee, for help. Now Pairlee, being a quilter, always had a quilt in the works and several more in her head just waiting to get made. She asked Tot to draft a quilt block for her—one that involved triangles.
Uncle Tot had been born late in December, right before Christmas. Maybe that’s why Pairlee wanted him to draft a Pine Tree block for his geometry assignment so she could make him a quilt that was reminiscent of the Christmas season. She’d been saving some green fabric that she intended to combine with unbleached muslin to make a two-color quilt, and the Pine Tree seemed a perfect choice.
As is often the case with stories that are handed down, some of the details get muddied in the retelling. When I was younger, I always thought that the block Uncle Tot drafted was his original design and nobody ever told me anything different. I know now that “his” Pine Tree block is an old pattern, one having multiple published sources (Ladies Art Company, Ruby McKim, Kansas City Star), the earliest of which Barbara Brackman in her Encyclopedia of Pieced Quilt Patterns dates to 1901. Pairlee could certainly have had access to one or more of those.
Whether Pairlee showed Uncle Tot a picture of the block in a magazine or newspaper or whether she guided him to create something that he thought was his own, I have no way of knowing since neither Pairlee nor Uncle Tot nor anyone else who new the facts is still alive. What I do have, though, is the Pine Tree quilt that Pairlee made for Tot from the block he drafted for her. I always bring it out at Christmas time, and it always makes me think of them both.
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Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery
Column 92: The Ballerina Quilter
Column 91: Grandmother's Flower Garden Comes Alive at Texas Quilt Museum
Column 90: Leitmotif for a Lifelong Love Affair
Column 89: Quilting in The Bahamas
Column 88: Joan of Arc: A Quilter's Inspiration
Column 87: Home Demonstration Clubs and Quilting
Column 86: Linzi Upton and the Quilted Yurt
Column 85: A Bounty of Quilts
Column 84: Desert Trader
Column 83: Quilts and the Women’s Liberation Movement
Column 82: Replicating the Past: Reproduction Fabrics for Today’s Quilts
Column 81: Why So Many Quilt Shops in Bozeman, Montana?
Column 80: Southeastern Quilt and Textile Museum
Column 79: 54 Tons of Quilt
Column 78: Ollie Steele Burden’s Quilt Blocks
Column 77: Quilting with AMD
Column 76: Maverick Quilts and Cowgirls
Column 75: The Modern Quilt Guild—Cyberculture Quilting Ramps Up
Column 74: The Membership Quilt—Czech Quilting in Texas
Column 73: Maximum Security Quilts
Column 72: Author: Terri Thayer
Column 71: The Christmas Quilt
Column 70: New Mexico Centennial Quilt
Column 69: Scrub Quilts
Column 68: “Think Pink” Quilt Raises Funds for Rare Cancer Research
Column 67: Righting Old Wrongs.
Column 66: 100 Years, 100 Quilts - More on the Arizona Centennial.
Column 65: Arizona Centennial Quilt Project
Column 64: Capt. John Files Tom’s Family Tree
Column 63: The Fat Quarters
Column 62: Quilt Fiction Author: Clare O’Donohue
Column 61: Louisiana Bicentennial Quilt
Column 60: The Camo Quilt Project.
Column 59: Thread Wit
Column 58: Ralli Quilts
Column 57: Preschool Quilters
Column 56: The Story Quilt
Column 55: Red and Green Quilts
Column 54: On the Trail
Column 53: Quilt Trail Gathering
Column 52: True Confessions: First Quilt
Column 51: Quilted Pages
Column 50: Doll Quilts
Column 49: More Than a Quilt Shop
Column 48: Las Colchas of the Texas-Mexico Border
Column 47: Literary Gifts
Column 46: A Different Way of Seeing
Column 45: Sampling
Column 44: Hen and Chicks
Column 43: A Star Studied Event
Column 42: Shoo Fly Pattern
Column 41: Awareness Quilts
Column 40: Tivaevae
Column 39: UnOILed UnspOILed Coast Quilt Project
Column 38: Katrina Recovery Quilts
Column 37: Quilted Vermont
Column 36: The Labyrinth Quilt—A Meditative Endeavor
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