Column #61

Louisiana Bicentennial Quilt

The Camo Quilt Project
Caption for LABIconst: Dawn Abraham, left, and Daisy Comeaux, seated, work on sewing the parish blocks together.

The Camo Quilt Project
Caption for LABItop: The finished top, ready for quilting.

Louisiana is celebrating the 200th anniversary of its statehood in 2012, and the birthday is being commemorated by all manner of special events and activities, not the least of which is the construction of an official bicentennial quilt.
Sponsored by Secretary of State, Tom Schedler, the Louisiana State Archives, and Roland Dartez, Executive Director of the Louisiana Police Jury Association, the quilt is entitled Stitch by Stitch, Binding Together 200 Years of Louisiana History.
Louisiana is the only state in the U.S. that has parishes rather than counties as political subdivisions, and each of the state’s 64 parishes is represented with a block in the quilt. The finished 9” x 9” blocks are arranged in columns in order of each parish’s location in the state and each one reflects its parish’s iconic features.
The parish blocks surround a central pictorial medallion representing the Louisiana State Archives building superimposed over an outline shape of the state. A brown pelican and a magnolia, both state symbols, are quilted into the medallion. The colorful blocks and the medallion are all on white grounds and sashed in blue, and the quilt is bordered in gold to indicate the state colors of white, blue, and gold. The 9.5’ wide , 10.5’ long quilt will tour each of the parishes in turn before being permanently housed at the Archives in the state capital of Baton Rouge.
The Project Coordinator for the bicentennial quilt is Dawn Abraham, an Education Specialist with the Louisiana State Archives. Dawn designed the quilt, created the central medallion, and shepherded the project through to completion.
“It was such an honor to work on this quilt for Louisiana and the State Archives,” she says. “What a fantastic format to showcase the state’s history and teach at the same time!”
Although the quilt was her idea, Dawn is quick to point out that she did not work on it alone. In the true spirit of traditional quilting, the bicentennial quilt brought together a large “bee,” if you will, of noted quilters from throughout the state. Each parish selected a talented quilter to design and construct its representative block.
For example, the artist selected to represent Orleans Parish was Denise Taylor, the owner of Mes Amis Quilt Shop in New Orleans. “I couldn’t believe it when I got the call,” Taylor recalls. “I was so excited and honored to make the block for our parish!” Her block features embroidered images of the French Quarter, Mardi Gras, a hurricane, and a fleur-de-lis (the fleur-de-lis is an official symbol of both Louisiana and New Orleans and it has been frequently used in New Orleans as a symbol of the city’s recovery following Hurricane Katrina).
Daisy Comeaux, owner of Cottage Creations and Quilts in St. Gabriel, Louisiana, was Dawn’s right-hand helper. “Daisy was a life-saving force behind this project,” Abraham says. “She was with me every step of the way—sewing, mentoring, connecting me with other quilters, and basically just being the quilt’s guardian angel.”
Comeaux’s experience and enthusiasm for the project equals that of Abraham’s. “I’ve been quilting for 42 years, but having the opportunity to work with a network of quilters all over the state on something that will go down in history has been just amazing,” Comeaux says.
The quilting was done by nationally known longarm quilter, Carol Hilton, and Dawn completed hand quilting of the borders.
The group effort is something the entire state can be proud of and is a fitting tribute to all Louisianans as they celebrate their 200th year together. For her part, Abraham is not only proud of the end result, but also a little relieved that it is finished—a sentiment to which any quilter can relate.
“I just hope that the next quilt, 100 years from now, is not a virtual one,” she laughs. “With technology becoming so much a part of our lives, that may be what Louisianans of the future have to look forward to, but for the bicentennial, this quilt is a wonderful record of who we are today!”
Government officials are equally pleased with the result. “What makes this quilt special is its illustration of the whole being made up of many parts,” offers Secretary of State Schedler. “Here we view the talents of quilters who spotlight the individual parishes and what each considers its tour de force, whether a business or industry, a capitol, a person or an interest. When they come together, they are a giant tapestry of a state with a personality unlike any other, rich in heritage, known for being a melting pot.”

 

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Archived blogs:

Column 117: How WWI Changed the Color of Quilts in the United States
Column 116: Wagga—The Bushman’s Quilt
Column 115: All in the Family
Column 114: The Alabama State Quilt
Column 113: Balloon Quilts of Albuquerque
Column 112: The Family That Quilts Together, Stays Together
Column 111: Two Rivers, Three Sisters
Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery
Column 92: The Ballerina Quilter
Column 91: Grandmother's Flower Garden Comes Alive at Texas Quilt Museum
Column 90: Leitmotif for a Lifelong Love Affair
Column 89: Quilting in The Bahamas
Column 88: Joan of Arc: A Quilter's Inspiration
Column 87: Home Demonstration Clubs and Quilting
Column 86: Linzi Upton and the Quilted Yurt
Column 85: A Bounty of Quilts
Column 84: Desert Trader
Column 83: Quilts and the Women’s Liberation Movement
Column 82: Replicating the Past: Reproduction Fabrics for Today’s Quilts
Column 81: Why So Many Quilt Shops in Bozeman, Montana?
Column 80: Southeastern Quilt and Textile Museum
Column 79: 54 Tons of Quilt
Column 78: Ollie Steele Burden’s Quilt Blocks
Column 77: Quilting with AMD
Column 76: Maverick Quilts and Cowgirls
Column 75: The Modern Quilt Guild—Cyberculture Quilting Ramps Up
Column 74: The Membership Quilt—Czech Quilting in Texas
Column 73: Maximum Security Quilts
Column 72: Author: Terri Thayer
Column 71: The Christmas Quilt
Column 70: New Mexico Centennial Quilt
Column 69: Scrub Quilts
Column 68: “Think Pink” Quilt Raises Funds for Rare Cancer Research
Column 67: Righting Old Wrongs.
Column 66: 100 Years, 100 Quilts - More on the Arizona Centennial.
Column 65: Arizona Centennial Quilt Project
Column 64: Capt. John Files Tom’s Family Tree
Column 63: The Fat Quarters
Column 62: Quilt Fiction Author: Clare O’Donohue
Column 61: Louisiana Bicentennial Quilt
Column 60: The Camo Quilt Project.
Column 59: Thread Wit
Column 58: Ralli Quilts
Column 57: Preschool Quilters
Column 56: The Story Quilt
Column 55: Red and Green Quilts
Column 54: On the Trail
Column 53: Quilt Trail Gathering
Column 52: True Confessions: First Quilt
Column 51: Quilted Pages
Column 50: Doll Quilts
Column 49: More Than a Quilt Shop
Column 48: Las Colchas of the Texas-Mexico Border
Column 47: Literary Gifts
Column 46: A Different Way of Seeing
Column 45: Sampling
Column 44: Hen and Chicks
Column 43: A Star Studied Event
Column 42: Shoo Fly Pattern
Column 41: Awareness Quilts
Column 40: Tivaevae
Column 39: UnOILed UnspOILed Coast Quilt Project
Column 38: Katrina Recovery Quilts
Column 37: Quilted Vermont
Column 36: The Labyrinth Quilt—A Meditative Endeavor

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