The dictionary defines an innovator as a creator of new ideas, a pioneer who helps to open up a new line of research or technology or art. The art of quilting has always been full of innovators—highly creative people who envision a new design, draft a new pattern, see color in a different way, discover a better technique, invent a helpful tool, find a novel way of expressing a thought or emotion, and on and on. The art grows and evolves, advanced by those innovators’ energy, ideas, mastery, and determination.
Of course our early quilting innovators are no longer alive and—sadly—the bulk of them remain anonymous. Do we know the artist who first drafted and executed the Mariner’s Compass pattern (or any of our familiar traditional patterns for that matter)? Who appliquéd the first Baltimore Album quilt? Which Amish colorist first realized the impact of black against saturated hues? The list is virtuall endless. We simply don’t know who these individuals were. And yet, their skills and vision continue to provide a framework and a springboard for us all.
Having returned from the recent International Quilt Festival in Houston, I can tell you that innovation is alive and kicking among today’s quilters. What artists are doing with thread and fabric is simply jaw dropping. New techniques, new tools and products, different worldviews, and fresh approaches all combine to produce work that is not only challenging, exciting, and inspiring, but also that adds to the reservoir of knowledge which underpins the art form.
The Houston Quilt Festival is an important innovation in itself. Much of what we take for granted in the world of quilting today has been premiered and showcased there during its 35-year history,. Events such as Festival provide a forum and focus for the cutting edge as well as the tried-and-true, the vanguard along with the rearguard.
By bringing together so many people from all over the world with a shared interest, Festival serves as a giant stewpot, bubbling over with imagination and talent. Such gatherings allow us to appreciate what has gone before as well as marvel about what is to come and, importantly, they enable us to know and recognize the innovators in our midst.
This sort of recognition is taking place on a number of fronts, one of which is the Quilters’ S.O.S.—Save Our Stories oral history project of the Alliance for American Quilts. Quilters’ S.O.S. is dedicated to documenting as many quilters’ stories as possible. This effort should significantly reduce the risk that today’s quilting innovators’ contributions might be relegated to anonymity. Already, over 900 interviews have been archived at the American Folklife Center at the Library of Congress.
If that person who made the first Baltimore Album quilt were alive today, you can bet that she would be known and celebrated for her advancements. How lucky we are to live in a time when quilting is recognized as an art, quilters are accepted as artists, and the innovators among us are acknowledged as such.
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Column 110: Quilters Helping Quilters
Column 109: Community Cookbooks and Fundraiser Quilts—Parallel Histories
Column 108: Quilting to Freedom
Column 107: National Quilting Day
Column 106: The Airing of the Quilts
Column 105: A Call for a National Juneteenth Commemorative Quilt
Column 104: Dominoes
Column 103: 1936 Texas Centennial Bluebonnet Quilt
Column 102: Helen Blackstone, A Texas Quilter
Column 101: Montana CattleWomen Anniversary Brand Quilt
Column 100: 100th Suzy's Fancy Column!
Column 99: Montana Stockgrowers Anniversary Brand Quilt
Column 98: The Tobacco Sack Connection
Column 97: Meet the Sisters Who Are State Fair Quilting Queens
Column 96: The connection between fairs and quilts.
Column 95: Her Mother Pieced Quilts
Column 94: Rebecca Barker’s Quiltscapes
Column 93: The Thread and Thimble Club Mystery
Column 92: The Ballerina Quilter
Column 91: Grandmother's Flower Garden Comes Alive at Texas Quilt Museum
Column 90: Leitmotif for a Lifelong Love Affair
Column 89: Quilting in The Bahamas
Column 88: Joan of Arc: A Quilter's Inspiration
Column 87: Home Demonstration Clubs and Quilting
Column 86: Linzi Upton and the Quilted Yurt
Column 85: A Bounty of Quilts
Column 84: Desert Trader
Column 83: Quilts and the Women’s Liberation Movement
Column 82: Replicating the Past: Reproduction Fabrics for Today’s Quilts
Column 81: Why So Many Quilt Shops in Bozeman, Montana?
Column 80: Southeastern Quilt and Textile Museum
Column 79: 54 Tons of Quilt
Column 78: Ollie Steele Burden’s Quilt Blocks
Column 77: Quilting with AMD
Column 76: Maverick Quilts and Cowgirls
Column 75: The Modern Quilt Guild—Cyberculture Quilting Ramps Up
Column 74: The Membership Quilt—Czech Quilting in Texas
Column 73: Maximum Security Quilts
Column 72: Author: Terri Thayer
Column 71: The Christmas Quilt
Column 70: New Mexico Centennial Quilt
Column 69: Scrub Quilts
Column 68: “Think Pink” Quilt Raises Funds for Rare Cancer Research
Column 67: Righting Old Wrongs.
Column 66: 100 Years, 100 Quilts - More on the Arizona Centennial.
Column 65: Arizona Centennial Quilt Project
Column 64: Capt. John Files Tom’s Family Tree
Column 63: The Fat Quarters
Column 62: Quilt Fiction Author: Clare O’Donohue
Column 61: Louisiana Bicentennial Quilt
Column 60: The Camo Quilt Project.
Column 59: Thread Wit
Column 58: Ralli Quilts
Column 57: Preschool Quilters
Column 56: The Story Quilt
Column 55: Red and Green Quilts
Column 54: On the Trail
Column 53: Quilt Trail Gathering
Column 52: True Confessions: First Quilt
Column 51: Quilted Pages
Column 50: Doll Quilts
Column 49: More Than a Quilt Shop
Column 48: Las Colchas of the Texas-Mexico Border
Column 47: Literary Gifts
Column 46: A Different Way of Seeing
Column 45: Sampling
Column 44: Hen and Chicks
Column 43: A Star Studied Event
Column 42: Shoo Fly Pattern
Column 41: Awareness Quilts
Column 40: Tivaevae
Column 39: UnOILed UnspOILed Coast Quilt Project
Column 38: Katrina Recovery Quilts
Column 37: Quilted Vermont
Column 36: The Labyrinth Quilt—A Meditative Endeavor
See other archived columns here